 The Second single for Craters of the Lost Souls 'Can't Have What You Want' is out now. Enter a world of the western frontier for a spaghetti western epic though sound. Listen on all streaming platforms and grab the vinyl while you still can.
 The first single of Raz Olshers new album Craters of the Lost Souls is out now. Enter a world of the western frontier for a spaghetti western epic though sound. Listen on all streaming platforms and grab the vinyl while you still can.
Shipping on the 30.05.2025
Craters of the Lost Souls Limited Edition Vinyl - Signed Only 50 Available ONLY during Pre-Orders, but no more than 50 copies. Complete with obi strips, additional artwork, incense, sticker and digital copy. One half of acclaimed duo Raz & Afla, Raz Olsher presents a unique instrumental album entitled ‘Craters of the Lost Souls’, a lush retro-futuristic score to an imaginary Spaghetti Western movie. Raz Olsher is a prolific London-based record producer, composer and remixer known for his genre-defying approach to music. As the founder of Fossil Studios in Hackney London, he has created a dynamic space for innovation and collaboration, attracting a wide array of artists. His latest project, ‘Craters of the Lost Souls’, is a psychedelic Western soundtrack that promises to transport listeners to a cinematic world of haunting melodies and evocative sonic landscapes. This ambitious release highlights Olsher’s unparalleled ability to merge storytelling with music, solidifying his reputation as a visionary artist. Preformed live by multi-instrumentalist, Raz Olsher later enlisting top cats: Filippo Galli: Drums, Clive Bell: Flute, Rory O’Connor: Tenor Vocals, Sylvia Hallett: Jaw harp, Hurdy Gurdy, Saw, Accordion, Violin, Sefi Zisling: Trumpet, Layla Moallem: Vocals, Francesco Pedrinoni: Vocals, Guitar to bring his vision to life in glorious Technicolor. “As an artist I love to do a 180 and express myself without boundaries” says Raz. “There is just too much beauty and truth that I want to explore. During the pandemic I was away on an Island for a couple of years and made music mainly on my laptop, sampling and some basic instruments. When I returned to London and to my studio, Fossil Studios, I was very happy to be reunited with my instruments. I was going through a tough time navigating my existence and purpose and felt that by making music through live instruments I could try and convey my emotions more intimately. Feelings of nostalgia and longing, loneliness and adventures. Slowly the concept of a Spaghetti Western soundtrack presented itself to me. The work was so visual. It was a personal, vulnerable and reclusive process. After sitting with the work for a while, I decided to get some help from my talented friends in order to add to the fabric of sound. I'm no opera singer, nor can I play the saw. I felt that this can only make the work more complete.” |
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